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Everybody wants a Par Wall, nobody wants to hang real pars.
Beautiful: A Carole King Musical Par Wall
This production worked with a rented set, including most set electrics, from Ogunquit Playhouse. We lacked the fixtures, circuits and flyspace necessary to use the provided par frame, so we built one in house and outfitted it with salad bowls. I credit Heathers for the concept.
Heathers Canopy Project
These units had four areas of control over the pars: Top, center, bottom, and a "random" circuit. They were also equipped with repurposed LED "fluorescent" fixtures, and lines with RGB LED Tape to offer color treatment to the salad bowls we used as "Par" reflectors. I assisted Head Set Electrician, Eric Nelson, through this process.
See
Evie's Canopy Process
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